EXCLUSIVE: SoMo Talks New Music, Dream Collaborations & More

SoMo performs at the House of Blues in Boston on November 5th, 2015 (Benjamin Esakof/Roman's Rap-Up).

Republic Records-artist SoMo recently made a stop at Boston's House of Blues for his "Fallin' Up" tour, part of his sixth headlining tour. Not only did SoMo take time out of his busy schedule to give Roman's Rap-Up an exclusive tour of his tour bus, but he also talked with RRU Mgmt's Ben Mader about constantly being on tour, dream collaborations, new music & more. Check out the exclusives below.

Interview: 


Bus Tour:


Concert Review: 'Hurricane' Halsey Blows Through Boston on "Badlands" Tour

"Badlands" Album Cover (Capitol Records).

“I don’t know why you picked me, but I thank you so much.” –Halsey

Much like her song explains, Halsey is nothing short of a hurricane. She performed to a jam-packed House of Blues Boston this past Saturday. Halsey performed song after song from her debut album, Badlands, that dropped earlier this year. The crowd was electric and blatant fanatics of the rising star; every lyric from every song she performed echoed throughout the room. Halsey herself is magnetic. Her hurricane personality, full of angst and power and effective beauty, creates a musician who completely steals the spotlight for however long she is onstage. She adorned leather pants and a bralette only to change into a Miley Cyrus-esque, nude leotard hoodie with slits in the side. Her punk attire matched the hurricane within resonating throughout the venue.

Halsey made sure to hit the more notable songs from the album including “Castle,” “Hold Me Down,” and “New Americana.” The first two she sung in the beginning of the set that boosted the already energetic vibe in House of Blues. “New Americana” was Halsey’s closing song accompanied by confetti cannons from both ends of the stage. She spoke before that song, declaring that it was written for those different from the norm in America that defy the stereotypes. The message is powerful and impactful; to the youth of America, society is forever changing and developing, and it is on the current generation to continue to create a wider acceptance of all types of people. Those three hits are arguably her most popular, but Halsey made sure to pack her set that was only a little over an hour with almost every song off of her album.

Halsey performed “Hurricane” after a brief speech about New York, specifically Brooklyn. Though the song begins with details about a boy, the main character is Halsey. In the chorus, she sings, “I’m a wanderess, I’m a one night stand, don’t belong to no city, don’t belong to no man. I’m the violence in the pouring rain, I’m a hurricane.” In the middle of the song, she explained that this song’s message is a reminder that you do not belong to anyone but yourself. Out of all the songs on her album, this encapsulates Halsey the best. Her intense dedication to her career combined with an extremely unique set of beats and lyrics create a female monster that is defying the girly girl stereotype. 

Halsey has no filter. She says “fuck.” She does not wear floral patterns. However, she is gorgeous in a way that many female artists cannot accomplish. Her sexiness is derived from the edgy yet inviting vibe of her music and herself. Halsey owns a beautiful contrast of her pixie cut and airy speaking voice with a nitty-gritty performing style and extremely honest lyrics. She is exactly what the chorus describes in “Hurricane.” Her growing fan base should be extremely excited for the next time Hurricane Halsey blows through Boston; next time, it’s arena style.

Album Review: Demi Lovato Finds Self Love & 'Confidence' on Smash New Album

Confident album cover (Hollywood Records/Island Records).

Demi Lovato's development through her music career has been a roller coaster. From her Disney start to admittance of self-harm, Lovato has demonstrated the strength that a woman in the spotlight must have in order to grow past her obstacles. Her new album, Confident, is Lovato's version of a promotion of that strength and self love she has found through her journey. The album includes the summer smash, "Cool for the Summer," as well as her recent hit, "Confident." Both singles promote the ‘ballsy,’ vibrant vibe that the rest of the album procures. Confident also includes features from other strong female artists including Iggy Azalea. From the cover artwork to the lyrics, Lovato seems to be tapping into the prime of her career.

One song that explains Lovato’s journey to a healthier state of mind is “Old Ways.” It’s the third track on the album following her two singles. She begins, “It was fun playing with knives until a blade stuck in the left side of my chest, surprise.” She continues, stating, “And I’ll just keep changing these colors, I’m not in the same place that I was, but if somebody tells me I’ll go back to my old ways, I’ll say no way...” This is Lovato’s blatant argument in her newfound strength and determination to remove herself from the weaker mental and emotional state she used to hold. It is her fight song and “screw you” against the haters and nonbelievers who might doubt her. She argues, “I’m not burning out, I’m not afraid to fall.” This is the perfect song to put on when a listener needs some motivational music. Defiance is the key word to “Old Ways” and is a perfect follow up to her two hits in the beginning of the album.

Lovato’s song with Azalea, “Kingdom Come,” is another powerful song on Confident. Not only does the song portray two strong female voices, it also includes techno/pop backbeats like the rest of the album that create great dance music, as well. The chorus begins with a slow, “You’re my kingdom come,” and concludes with Lovato singing, “Sit me on your throne.” Azalea comes in partway through the song with her rap and beat that adds a sound very similar to her hit with Rita Ora, “Black Widow.”

By far the most vulnerable and sentimental song on the album is Lovato’s last song, “Father.” It explains her emotional status in regards to her broken father figure. In addition, Lovato describes a mix of hatred but understanding for his weakness that created the separation from her as a child. The song is slower and much less dance-party than the rest of her album. The song also hints at his death and recognition of his place in heaven. The open, emotional wound he has left is something that touches the listener and creates a contrast to the powerful defiance of “Old Ways” and “Kingdom Come.” “Father” also displays the range and beauty of Lovato’s voice. Her vocal quality is impressive to say the least, and the ballad offers her fans a full experience of this.

Confident is exactly what the album title’s name implies: it is Lovato’s growing confidence as an artist, female, and fighter. Everyone has obstacles to conquer in life, and she had to go through hers under the bright spotlight of fame. However, Lovato has come out the other side stronger than ever musically and personally. Fans will enjoy the album as a dance, pump-up playlist but also as a tap into her emotional growth and understanding.

Photos: Tove Lo Brings "Queen of the Clouds" Tour to Royale in Boston

Tove Lo performing at Royale Boston on October 14th, 2015 (Benjamin Esakof/Roman's Rap-Up).

Swedish singer Tove Lo brought her "Queen of the Clouds" tour to Boston Wednesday night. Tove has recently taken America by storm with her radio hits "Stay High," "Talking Bodies," and her feature on Alesso's "Heroes," which has resulted in her selling out shows across the country, including this show in Boston and even being added to iHeartRadio's Jingle Ball arena tour.

Check out photos from the show below: